Castlevania Lords Shadow Limited Playstation 3

Castlevania Lords Shadow Limited Playstation 3

Castlevania – Lords of Shadow is a dark and bright new re-imagining of the Castlevania mythology. It is the end of days and ungodly powers isolate the Earth. The worlds’ confederation with the heavens has been threatened by a dark and malevolent strength – the mysterious Lords of Shadow. Across this shattered land, the souls of the dead wander unable to find peace, whilst creatures of evil wreak chaos and death upon the living. Gabriel Belmont is a fellow member of the Brotherhood of Light, an elite group of holy knights who protect and defend the innocent versus the supernatural. His beloved wife was savagely murdered by the evil forces of darkness and her soul trapped for eternity. Neither living nor dead she realizes the horrific truth of what is at stake and guides Gabriel to his fate – and hopefully salvation for the world.

• Amazon Sales Rank: #251 in Video Games
• Brand: Konami
• Model: 20196
• Published on: 2010-09-30
• Released on: 2010-10-05
• ESRB Rating: Mature
• Platform: PlayStation 3
• Number of items: 1
• Dimensions: .55″ h x 5.33″ w x 6.73″ l, .15 pounds

Castlevania Lords Shadow Limited Playstation 3 Photo

Castlevania Lords Shadow Limited Playstation 3 Photo

Castlevania Lords Shadow Limited Playstation 3 Image

Castlevania Lords Shadow Limited Playstation 3 Image

Castlevania Lords Shadow Limited Playstation 3 Picture

Castlevania Lords Shadow Limited Playstation 3 Pic

106 of 110 people found the following review helpful.
A Complete Review
By Taylor Randalls
This is not a game to review until you have completed it. As I moved deeper and deeper into the game, my opinions began to deviate from my first impressions. Many times, it seems that once you play for two to three hours in a game, you get a basis for what the entirity will be like. This is an exception. It’s a lengthy game. It’s a game that you probably shouldn’t take a month long break before picking it back up because it can be difficult. But it’s a game that will reward you for playing, by getting better and better until the end.

Graphics:
Backgrounds are stunning. Character models are very detailed as well. Often the game’s camera will pan out allowing you to view a large area. This is primarily the platforming portions of the game. But it will definitely cause you to stop and look at the scenery from time to time (especially when you get to the castle). You do not have an option to adjust the camera angle and 80% of the time, you won’t need to. However, there are times that you will seemingly be whipping the screen not knowing where the enemies are. And it did cause me to die a few times.

Audio:
Am I playing Lord of the Rings? Most of the tracks made me think that I was in a battle for Middle Earth. The chanting and orchestrated music are very similar to the LotR movies, which may or may not be a good thing. Personally, I felt some of the tracks were way overdone and intensified for no apparent reason. It was especially awkward as I walked through a serene forest with no enemies AT ALL to have the music start blaring, trumpets, choir and all. My heart stopped as I thought I was about to be killed by some unknown demon, but what? Nothing. Must have been the wind. As I progressed through the game, the music toned down and became a bit darker and softer. It became more Castlevania-like, but still not what you might have expected. There are a few Easter Eggs in the game where you will hear some classic 8-bit tracks and those were definitely welcomed. The voice dialogue was well done. Patrick Stewart did a good job narrating and playing the part of Zobek, an ally of yours. Robert Carlyle’s (Gabriel) voice sounds Scottish which is cool, but seemed a bit subdued at times. I ended up having to turn the voice tracks up to hear him speak. No spoilers, but the last boss fight and ending’s dialogue were top notch. I wanted to beat the last boss twice just to watch the ending again.

Gameplay:
There is a balance between Uncharted-like platforming, Tomb Raider puzzle solving, and fighting a plethora of enemies. There are dozens of types of enemies, ranging from the easy Mummy to towering Titans. There are also two ways to fight in this game. I personally enjoyed the classic whip-slashing action. However, a good bit of the game’s bosses involve button timed events, which are fun, but stressful. I died mostly during these fights and a few times, it sent me back to the start of the battle and I was flat out frustrated. The most enjoyable aspects of the game for me involved Uncharted style climbing. It felt just as fluid as Uncharted (with the exception that you can only climb certain things versus virtually everything in Uncharted). Jumping from platform to platform is somewhat flawed and can be irritating, but that is not too often as you are mostly climbing and swinging.

Replay Value:
As you progress in the game, you are rewarded with different abilities. These abilities make replaying one of the games previous levels much easier and fun. There will be items/upgrades that you can’t get in your first play through of a level, but after gaining a new ability such as double jump, you realize you can now go back and acquire it. That leads me to how the game is structured. There are twelve chapters in the game, with multiple levels scattered throughout each chapter. You can go back and play any level over again on one of four difficulties. Upon completing a level, you also can go back and beat its trial, which is an added challenge. Try to 110% the game(one thing to note: You can’t 110% the game until you beat each level on Paladin (the most difficult) difficulty. However, you can go back and replay the levels on Paladin with your upgrades intact, making it manageable). Konami has also thrown in some Easter Eggs once the final stage is completed as well. You can slightly change the appearance of Gabriel but I won’t say how.

Closure:
I was very pleased with Lords of Shadow. I am a Castlevania fan. But I never enjoyed the 3-D games. The N64 and PS2 games were awful to me and pushed me towards having a 2-D bias. However, this game has rebooted the series nicely and has set itself up for a sequel. While the majority of the game is not reminiscent of what we’ve come to love, nostalgia is still there with one-third of the game being related to the Vampires and the castle (clock-tower, garden maze and all). The new ideas are very welcomed and create a game that is not dependent merely on one’s nostalgia, but stands on its own as a fun and exciting action game. Were there times where I was bored? Maybe in the first three chapters. Where there times where I was frustrated? Maybe playing a timed event boss battle for the first time. But was the game fair and balanced? Absolutely. If I were scoring the game, I would give it a 9.5 for a great, 20+ hour action game with a few camera glitches along with some repetitive action scenes and music. A must have for any Castlevania and action game fan. Feel free to ask me any questions, as I am nearly 110% complete with the game.

23 of 24 people found the following review helpful.
I wish I could give it 6/5 stars
By Campy
I would need to clarify that I am not a long standing franchise enthusiast. My first and only Castlevania aside from this was SoTN. I never held a candle for the Belmont clan (pun intended) or for the franchise, aside from how awesome SoTN was. So in that regard, I am biased.

Moreover, this game is NOT perfect, so let me get the bad out of the way:

1. Camera angles. Very pretty, very engaging, very cinematic. And they have made me die a lot. Reminiscent of the Resident Evil franchise pre-4, and MGS3, static camera angles are…a love it or leave it issue. I like them. But to be honest, they can be a hindrance. Not being able to see a 2 ton Worg about to swipe me out of existence can be a setback.
2. Difficulty curve. I’m playing this on normal (I didn’t want to breeze through it, but I didn’t want to not get through the game either) and so far, I have lost my cool a few times. I want to call the difficulty curve merciless, but that’s unfair. It is steep, though. This game will be quick to punish button mashers. There is an element of strategy in this game, having to switch around strategies according to enemies, cycling through combos, and cycling through shadow or light magic… it keeps you on your toes, and I would daresay that it is a characteristic missing from some of the titles that this game is compared to the most (such as GoW and DMC. This is just my opinion, maybe someone will argue that both franchises do have an element of strategy in their hack and slash, and I totally missed it. I welcome any disputes on the matter)

Those are, to me, the only scratches in an otherwise polished game. And I hesitate to call them a real detraction from this game.

This game is presumably a reboot of the franchise, which works for me, as I never had an attachment to the previously established canon. You are Gabriel Belmont (the name, taken from the hills from his childhood. Bel – mont. Had never put those two together) He was an orphan taken in by the Brotherhood of Light, and was married to Maria ( I forget the name now, I hope this is right). Maria was slain, so far in my playthrough, under mysterious circumstances, and so he set forth to exact revenge.

The story set up, I will admit, is a bit shallow. But the game has been accused of being light on story telling. I would have to disagree. That the story telling was relegated to sequences at the beginning and end of each stage is not the most organic way to tell a story is true. But in this particular case, the way the story is woven, namely as a fairy tale of old, I think it works. There is much to be said of the voice acting and narrating on Patrick Stewart’s part. At first the story is a bit too ‘ in medias rex’ , but soon enough the blanks are filled out, and the intrigue builds up. I keep hearing the ending is phenomenal. We shall see.

The presentation, I will say, is not pushing any envelopes, but it is setting a mark for what action games can accomplish. The look of the game, albeit not groundbreaking, is simply awe inspiring. I had never seen a prettier snowy medieval landscape. The style and the aesthetic lends itself well to the sort of gothic undertone that always accompanied Castlevania games, but this time, in a grander fashion. The desolate, the desperate, the god forsaken aspect of some of the more European settings is simply entrancing, whereas some of the more fantastic settings, such as enchanted forests, forgotten cities and crypts break up the monotony of just seeing castles and towers for 20 hours without seeming out of place. The rain effects are some of the best I’ve ever seen in a game. The soundtrack is, I will say, among the best I’ve ever heard on a game. I don’t know who Oscar Araujo is, or what he composed before this track, but he is now on my radar. It has a certain quality that aims for grandiose, while at the same time remaining memorable, and just works so well with the story telling. Fans of the series might be a bit disilussioned, because it’s nothing like the Castlevania theme. I’ve read the original theme is hidden somewhere in the game. Haven’t heard it yet.

The voice acting is top notch. I thought Robert Carlyle was a bit of a strange choice for taciturn Gabriel Belmont, but he’s grown on me. My main issue was the accent at first. I always thought he should have a French accent, or, I dunno. Mr. Carlyle makes it work though. Patrick Stewart makes game text intended to narrate the bulk of the storyline sing. I have no idea how he does it. Some people are complaining that it’s too similar to Oblivion. I don’t see it. These samples of acting are better, in my opinion. Jason Isaacs is in the game as well, but I haven’t bumped into him yet.

The gameplay itself is the strong suit of this game. The control scheme is one of the best and most intuitive I’ve yet to find on an action game. I wondered if they would do this thing where you can control the whip with one analog stick, but that would lend itself to disaster, in hindsight. Mercurysteam made it simple: jump, area attack, direct attack, secondary weapon. Done. It seems restrictive, but I assure you…there’s something about less is more, that just makes this set up wow you. The camera will sometimes work against you (happens to me anyway) when trying to time a block for a parry, but other than that, the control is great, and the whip mechanics are pretty much near-perfect. The whip is a seriously underrated weapon in video games. Seriously.

A lot of people are, again, comparing the action to GoW or to DMC. Back when Dante’s Inferno came out, I played the demo first, and did not enjoy it, precisely because it felt like GoW: Renaissance style, and I couldn’t shake that feeling that the game was so similar. I will admit that there ARE similarities, but the way the similarities are implemented just keeps the game feeling fresh: in GoW, you will fight multitudes of enemies at once, or a reduced number of stronger enemies at the same time, and depend a lot on dodging out of the way, and blocking in time, and absolutely brutal chain combos. Kratos is just set up that way, with the ability to keep hitting enemies throughout hundreds of hits. The chains, even though in principle are whiplike, in a sense Gabriel however will be confronted more often than not against enemies that will require more reaction than proaction I think in a sense this sets it apart, a BIT, from GoW. The platform actions of the game are somewhat less polished than the fighting, but the game never really veers into parkour action, and it is being compared more to Uncharted. I can see the similarities there, save for the presence of the whip which put Gabriel in far more acrobatic situations than Nathan Drake. Eventually you start acquiring new abilities (such as the ability to dash, and thus, do a long jump) which will break those similarities up somewhat. Some of the boss fights are comparable to Shadow of the Colossus. These are very similar, I can’t say that there’s something that sets Castlevania apart, save for the use of the whip to scale up the titanic bosses, but the similarity is not a bad one, in my opinion: Shadow of the Colossus was a great game, and I don’t think that its brand of action had ever been repeated to say that now that Castlevania made use of the similar sequences is cliche.

Overall, this game might be a sum of other action games, and in a way, it’s true. The parts that are being summed up into this game however, do not feel segmented (ie, I never felt ” oh, now I’m playing Uncharted, oh, now it’s Shadow of the Colossus). It always feels like playing Castlevania, and the feeling is quite epic.

45 of 54 people found the following review helpful.
Excellent Gothic Adventure.
By Scott M. Brown
So far this game has caught me off guard. This is not an exact clone of “God of War.” Although the gameplay is very similar, the style and atmosphere are completely different. Rather than greek mythology you have gothic monsters and settings. I’m personally enjoying this more so than I did “God of War.” I like the werewolves, vampires, and ghouls much more than I like medusas, cyclops, and cerebus. Also, so far this game seems to be more difficult than the “God of War” series. You really have to make use of that dodge button. But as one reviewer already said, don’t worry it’s not nearly as difficult as “Demon’s Souls.” I’ll be updating this review once I finish the game. But so far I will say that it’s turning out to be a great game. Easily as good (if not better)as god of war.

Oh yeah, and don’t listen to those couple review websites who gave this game a 7.5 out of 10. So far I’m saying this game deserves no less than an 8.8 out of 10, although by the time I’m finished I’m betting that I’ll feel it deserves a 9.5 out of 10. Yeah its gameplay is similar to god of war, but what game doesn’t draw inspiration from other games? Practially all FPS games are alike, but you don’t here people crying and complaining every time a new one comes out… do you? And practically all sandbox games are similar to the GTA series, but once again no one seems to care. Castlevania is doing nothing different here. They are using a winning formula (God of war) and improving on it. Just like “Halo” used the exact same first person perspective from “Doom” but made improvements on it. Bottom line is we can’t expect every new game to reinvent the genre. Ok enough of the preaching. Anyways, so far I recommend this game to anyone looking for a gothic adventure.

****UPDATE: I wanted to share more of my feelings about this game now that I’ve progressed a bit further. I’m now beginning the 4th chapter (I know it’s not that far, but I’m in college full-time and I’m busy with work). This game has me hooked so far. Amazing boss battles (and lots of them), great soudtrack, awesome action gameplay, it’s all just great. I’ve just finished the land of lycans (werewolves) and now I’m heading into the land of vampires… very excited! This is one of the best games to come out for a while. If you like action games and gothic themes then you owe it to yourself to pick this one up, it’s amazing so far. I will conclude this review once I finish the game (not sure when that will be since I’m so tied up with school, I hardly have time to play).

********Review Conclusion: Ok I have just completely finished this game. Castlevania LOS was a great experience all around. I would personally rate this game a 9.2 out of 10. It has a good blend of action, puzzle, and platformer. There are tons of different monsters to fight in this game, extremely varied. I don’t think I’ve ever played a game with so many boss fights. The music here is beautiful, and at times I stopped playing just to listen to it. This game really does feel epic, and Gabriel Belmont is a character that I was rooting for the entire time. Also, I wanted to remind you that if you play this game make sure that you wait for the credits to roll when you beat it. After the credits are done rolling you get a good idea of what the sequel will be like (and it’s going to be pretty crazy). Now I can hardly wait for the next Castlevania game.

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